FotoFocus'26 | Erika NJ Allen

October 8 - November 1, 2026

Studio Kroner is honored to be selected as an official venue of the 2026 FotoFocus Biennial: The Long View, presenting a new exhibition by Cincinnati artist Erika NJ Allen, Beneath All Distance.

In this exhibition, Allen presents a body of work that merges experimental photographic processes, ceramic surfaces, and moving image. Working exclusively with pinhole and analog film photography, the artist documents landscapes shaped by vast geological time—sites whose physical features bear visible traces of history, endurance, and change. These terrains serve both as subjects of visual inquiry and as catalysts for reflection on humanity’s place within a broader temporal continuum.

Through analog processes, ancient landscapes, and durable materials, Allen’s work embodies The Long View, offering a meditation on scale, memory, and endurance across deep time.

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FotoFocus is a nonprofit organization created to celebrate and champion photography as the medium of our time through programming that ignites a dialogue between contemporary lens-based art and the history of photography.

Opening Reception

Thursday, October 8
6-9 pm

Artist Talk

Saturday, October 17
1-2 pm

Closing Reception

Sunday, November 1
1-4 pm

Bio

Erika NJ Allen Allen is an artist born in Guatemala and a first-generation college graduate, obtained a BFA in photography from the Art Academy of Cincinnati and later pursued an MFA in ceramics from Cranbrook Academy of Art.

In May 2019, during her senior year of her BFA, Erika underwent a hysterectomy, a deeply personal experience that profoundly transformed her relationship with her body and nourishment. To aid her recovery, she reimagined her diet, focusing on fruits and vegetables, which guided her path to regaining strength through her work with clay. Her art began to reflect this journey, incorporating imprints of the produce she consumed. Each piece blurs the line between authenticity and artifice, symbolizing her body’s dual nature—one aspect in decay, the other steadfast and unchanging, much like her medical implants.

A wrist fracture during her graduate studies shifted her focus from personal pain to broader issues. As her pain subsided, Erika chose to explore the banana, a fruit with deep connections to her home country. Her work began to delve into how the banana industry, dating back to the late 1800s and early 1900s, sought to “civilize the banana” and integrate it into American households. Through this exploration, Erika aims to illuminate the historical and political dimensions of the banana industry, which has influenced immigration patterns. She hopes to foster empathy by engaging viewers with narratives of survival and resilience related to immigration.

Artist Statement

Art is my way of nurturing connections—with my own story, with others, and with the shared narratives that shape our world. Born in Guatemala and a first-generation college graduate, I use my work to bridge themes of consumption, labor, migration, and resilience. Through ceramics and photography, I explore the intersection of personal and political experiences, challenging cultural assumptions and fostering empathy.

In May 2019, during my final year of earning a BFA, I underwent a hysterectomy, a life-changing experience that transformed my relationship with my body, food, and art. During recovery, fruits and vegetables became more than sustenance; they became meditative symbols of resilience and healing. This connection inspired me to replicate the produce I consumed in clay, imprinting real fruits onto ceramic surfaces. These works blur the line between authenticity and artifice, reflecting my body’s own duality—where the natural and medical coexist, one decaying while the other endures.

Two years later, while pursuing my MFA at Cranbrook Academy of Art, I fractured my wrist. This physical limitation forced me to adapt, sparking unexpected discoveries. One ordinary banana led to the development of a unique glazing technique that reshaped my porcelain and stoneware creations. What began as a personal exploration grew into a political dialogue, with my banana-inspired works symbolizing the resilience of marginalized communities and drawing attention to the global histories of labor and exploitation within the banana industry.

As I delve deeper into the cultural and economic impact of the banana industry, I explore how it has shaped migration and immigration experiences, uprooting communities and intertwining their survival with systems of labor and exploitation. Through this exploration, I aim to nurture empathy, inviting viewers to consider the human cost of these systems and to reflect on the resilience required to endure and adapt.

My practice has evolved beyond personal storytelling to engage larger systems of labor and consumption, exploring how they shape identity and collective experiences.

I am honored to have received recognition such as the 2024 NCECA Emerging Artist Award and the 21c Cincinnati Artadia Award, alongside participating in residencies including the Archie Bray Foundation for the Ceramic Arts.

Through my art, I aim to create spaces for reflection and connection. I invite others to share their own stories, transforming hardship into a shared celebration of resilience. My journey as an artist—and as a survivor—speaks to the enduring strength of the human spirit. Whether confronting systemic barriers or celebrating cultural heritage, my work invites dialogue, inspiring audiences to find beauty in resilience and the power of transformation.