Cedric Michael Cox: My Ality
September 6 - 29, 2024
My Ality showcased over twenty new works new paintings and drawings by Cedric Michael Cox, exploring hard-edge abstraction and narrative still life. The title reflected Cox’s unique take on reality, emphasizing progress and creative evolution.
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Opening Reception
Thursday, January 23, 2025
6-9 pm
Artist Talk:
Thursday, January 23, 2025
6-9 pm
Closing Reception:
Thursday, January 23, 2025
6-9 pm
Bio
Bio
Cedric Michael Cox is best known for his paintings and drawings that merge surrealism and representational abstraction. As a student at the University of Cincinnati’s College of Design, Architecture, Art, and Planning (DAAP), Cox was awarded a fellowship to study at the Glasgow School of Art in Scotland. After receiving his Bachelor of Fine Arts in Painting in 1999, he began to exhibit regionally and nationally. Cox’s paintings catapult color into rhythmic action with abstract and recognizable images that create compositions inspired by themes in music and the natural world. His work remains true to sharing Cox’s innermost self as his passion radiates from the canvas. Working under several influences, including architecture and art history, Cox’s work ranges from cubist-inspired geometric compositions to cityscapes, landscapes, and curvilinear floral-like forms, all dancing within surrealistic environments. In addition to his work in corporate collections, Cox has executed several large indoor and outdoor murals in various public and private schools, libraries, businesses, and community centers within and around the Cincinnati Region. Cox’s work has been featured in books, magazines, and on television throughout his career.
Artist Statement
Artist Statement
The paintings and drawings I create are intended to build bridges between the past, present, and future for both individuals and ALL groups of people, through stylistic ideas and expressions that crossover into many genres. Historically, my interest in art draws from cubism at the beginning of the 20th century. In contemporary terms, I have been noted to create images that relate to elements of urban architecture, highlighting areas of the city in which I lived and worked. My intention was to create a kind of architectonic lyricism. Much of my work still combines elements of cubism and deconstructionism, thus combining my interests in musical composition and its relationship to my visual world. A change in rhythm can be compared to a change in line, weight, brushstroke, value, and pitch.
Though my work has characteristics of abstract art, I encourage my viewers to reexamine material culture through my art; therefore, my abstraction is not totally non-objective. It is semi-abstraction. In recent years my work has increasingly transitioned into bolder, brighter color, as a shift in mood and tempo creates drawings that originate as studies and become important to my process. The forms seem to grow like plants and flowers interweaving together in my vivid pictorial arena. While incorporating shapes that reference biomorphic forms in nature and internal human anatomy, I combine recognizable imagery placed in natural and man-made environments to create paintings that celebrate the enduring positive spirit of humanity through passionate color. This use of vibrant color adds a dreamy and playful quality to my work.
As a child, I was passionate about putting my interpretation of the world around me on paper, later forging those images into paintings. I want the child I once was to be represented in my paintings on a visceral level and simultaneously express the refinement of a maturing culmination. The personal becomes universal. Art is an important way for me to communicate and subsequently build relationships with others. My work is a spiritual testimony to the visual experiences that arouse my senses. As I examine and interpret the world around me, I seek to share an exquisite interplay of subtle and bold. In my youth, I struggled to express social and political commentary with my art; however, when I would attempt to do so, I found that my personal aesthetic and ambition to challenge myself creatively suffered.
Though I was inspired by artists of all genders, ethnicities, and genres because I was open to all mediums, I believed that all people would accept my art as an African American if I made it apparent in my imagery and subject matter that I was African American. Of course, I closely identified with the inequality of living in America at an early age, but when trying to implement or express these emotions through my paintings, I noticed that my work was becoming somewhat calculated and lacked authenticity. I switched from painting to drawing so that color would not describe my forms, intending that the pencil guide my subconscious in creating a unique conscious vision for me, by me. Thus, my abstract voice was created!
My portraits became an inner reflection of the people, places, and objects that surround my everyday life. I did this by creating rhythmic anatomically inspired renderings that told my story through abstraction. I found that it is vital to be true to one’s self in his or her form of expression. In order for me to be truly free from the self-imposed bias or pre-conceived notions of race and gender and creatively express, share, and experience art with all people, my personal intentions must come first.
With my art I intend for the personal to become the universal among all groups of people, as we celebrate individual freedom, find our likenesses, and harmonize our differences. I proudly proclaim undeniably that I am a Black Man creating art and my individual drive and vision will always transcend society’s-imposed biases and perceived limitations of my people. Whether the struggle with identity is internal or external, I ongoingly reach above and beyond boundaries to write my own history and success.




































Calendar of events for Cedric Michael Cox: My Ality
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Cedric Michael Cox: My Ality
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Steve Justice: Oddly Familiar
January 23 - February 15, 2025
Studio Kroner is proud to present Oddly Familiar, a captivating solo exhibition by Cincinnati-based artist Steve Justice. Known for his unique blend of cultural storytelling and bold design, Steve's work inspires and engages viewers. Drawing inspiration from figures like Thomas Hart Benton and MAD Magazine, he uses art to educate and entertain.
With a strong background in design from the University of Cincinnati, he brings both precision and a playful spirit to his creations. Oddly Familiar invites visitors to embrace the unexpected and rethink the ordinary.
Opening Reception:
Thursday, January 23, 2025
6-9 pm
Artist Talk:
Saturday, January 30, 2025
1-2 pm
Closing Reception:
Saturday, February 15, 2025
1-4 pm
Bio
Steve Justice was born in the steel town of Homestead, in Pittsburgh, in 1956 (Monkey/ Gemini) during a period of labor unrest for both his mother and for Homestead. His father was a mighty steel engineer -- he once carved a working locomotive from a single ingot of steel, using only a hacksaw and a bastard file. Justice’s mother was 100% Finnish, with a literary bend and some artistic aptitude. Justice subsequently grew up using both hemispheres of his brain. He learned how to apply this laterization with years of study at Pittsburgh’s Carnegie Institute, under the tutelage of Joseph C. Fitzpatrick (Warhol’s teacher and mentor). This was followed by Industrial Design training (with some Art History and fine art electives) at the University of Cincinnati, where he made the Dean’s list 10 times and won a scholarship. This led Justice to a successful and gratifying career as a product designer around the Rust Belt and beyond, designing products for consumer and commercial customers (Coca-Cola drinkware, 2002 Olympic torch, etc.), while creating thousands of manufacturing jobs. But he craved a bigger beauty. Steve began oil painting in 1985, at first part-time, then eventually full-time, and he has stayed that course ever since. Making that transition led him to more than 183 exhibitions (17 solo), awards, and dozens of sales. His art may be free-wheeling and eccentric, but Justice has absorbed a lot of professionalism from his design days, and he’s very well aware of an artist’s position of responsibility. Steve Justice now lives in Cincinnati with his wife, the internationally recognized design educator, Dr. Lorraine Justice, following stops in Rochester NY, Hong Kong, Atlanta, Columbus, and NE Ohio.
Artist Statement
I love cartoons. I always have. They are my earliest memories, and I hope they will be my last someday. Cartoons are universal, but they weren’t always that way. I knew a Swiss man who saw his first cartoon at nine and concluded that animals in America can talk. I didn’t draw that conclusion until I was in my late twenties. I create art because I can and I love it. The impulse becomes a drive, “To get it off my back,” as Nina Simone said. “With great power comes great responsibility,” many of Stan Lee’s characters have added. Such responsibility is wasted without mindful action. I read a lot, and much of what I read winds up on my canvas, usually in combination with other things I’ve read, seen, heard, and experienced. My style is influenced by the art of Thomas Hart Benton, Rick Geary, MAD Magazine, Underground Comix, psychedelic poster art, Orthodox icons, Michelangelo, fashion photography, etc. I use a “cultural color wheel” of my device, which includes International Orange, Coke Red, Hershey Brown, Conrail Blue, School-bus Yellow, John Deere Green, and other colors a viewer may feel oddly or overtly familiar with. My early paintings began with simple quotations and readings on creativity by practitioners of every discipline, but my inspirations and their interpretations have expanded over time. I sometimes have flashes of insight while doing mundane things such as walking the dog, meditating, or milking a cow (which I have never done). In Latin, this is called “Solvitur ambulando” (“It is solved by walking”). What I want to do is Educate, Enlighten and Entertain. (my 3 E’s) I paint on canvas and wood panels, and I use oil paint because I like the look, feel, and smell. It’s exciting to do novel things with ancient materials. If I don’t have fun, the viewer won’t, and if the viewer doesn’t, I won’t. May that circle be unbroken.





